Wordsworth,andtheotherpoetsIhavenamed,Byron,Shelley,Keats,andColeridge,madesuchaprotestagainstauthorityinpoetryashadbeenmadeinthe16thcenturyagainstauthorityinreligion;
andforthisauthorityweresubstitutedthesoul-experiencesoftheindividualpoet,whosethisversetothesongthatwaswithinhim,andchosesuchsubjectsaswouldbestembodyandarticulatethatsong。
Butbytheendofthefirstquarterofthepresentcentury,thegreatpoeticalbillow,whichwasnotindeedcausedby,butreceivedanimpulsefrom,thegreatpoliticalbillow,theFrenchRevolutionfortheywerecognateorco-radicalmovements,hadquitespentitself,andEnglishpoetrywasatacomparativelylowebb。ThePoeticalRevolutionhaddoneitswork。
Apoeticalinterregnumofafewyears’durationfollowed,inwhichthereappearedtobeagreatreductionofthespirituallifeofwhichpoetryistheoutgrowth。
Mr。EdmundW。Gosse,inhisarticle`OntheEarlyWritingsofRobertBrowning’,inthe`Century’forDecember,1881,hascharacterizedthisinterregnumalittletoocontemptuously,perhaps。Therewas,indeed,agreatfallinthespiritualtide;
butitwasnotsuchadead-lowtideasMr。Gossewouldmakeit。
Atlength,in1830,appearedavolumeofpoemsbyayoungman,thenbuttwenty-oneyearsofage,whichdistinctlymarkedthesettinginofaneworderofthings。Itborethefollowingtitle:
`Poems,chieflyLyrical。ByAlfredTennyson,London:
EffinghamWilson,RoyalExchange,Cornhill,1830。’pp。154。
Thevolumecomprisedfifty-threepoems,amongwhichwere`ThePoet’
and`ThePoet’sMind’。Thesetwopoemswereemphaticallyindicativeofthehighidealofpoetrywhichhadbeenattained,andtothedevelopmentofwhichthebandofpoetsoftheprecedinggenerationhadlargelycontributed。
Areviewofthevolume,byJohnStuartMill,thenayoungmannotyettwenty-fiveyearsofage,waspublishedin`TheWestminster’
forJanuary,1831。Itbearstestimonytothewriter’sfineinsightandsureforesight;anditbearstestimony,too,tohishighestimateofthefunctionofpoetryinthisworld——anestimate,too,inkindandindegree,notolderthanthispresentcentury。
Thereviewisasimportantalandmarkinthedevelopmentofpoeticalcriticism,asarethetwopoemsIhavementioned,inthedevelopmentofpoeticalideals,inthenineteenthcentury。
Intheconcludingparagraphofthereview,Millsays:”Agenuinepoethasdeepresponsibilitiestohiscountryandtheworld,tothepresentandfuturegenerations,toearthandheaven。He,ofallmen,shouldhavedistinctandworthyobjectsbeforehim,andconsecratehimselftotheirpromotion。Itisthusthathebestconsultsthegloryofhisart,andhisownlastingfame……
Mr。Tennysonknowsthat”thepoet’smindisholyground”;
heknowsthatthepoet’sportionistobe”Dower’dwiththehateofhate,thescornofscorn,Theloveoflove”;
hehasshown,inthelinesfromwhichwequote,hisownjustconceptionofthegrandeurofapoet’sdestiny;
andwelooktohimforitsfulfilment……IfourestimateofMr。Tennysonbecorrect,hetooisapoet;andmanyyearshencemaybereadhisjuveniledescriptionofthatcharacterwiththeproudconsciousnessthatithasbecomethedescriptionandhistoryofhisownworks。”
Twoyearslater,thatis,in1832thevolume,however,isantedated1833,appeared`PoemsbyAlfredTennyson’,pp。163。
Initwerecontained`TheLadyofShalott’,andtheuntitledpoems,knownbytheirfirstlines,`Youaskmewhy,tho’illatease’,`OfoldsatFreedomontheHeights’,and`LovethouthyLand,withLovefarbrought’。
In`TheLadyofShalott’ismysticallyshadowedforththerelationwhichpoeticgeniusshouldsustaintotheworldforwhosespiritualredemptionitlabors,andthefatalconsequencesofitsbeingseducedbytheworld’stemptations,thelustoftheflesh,andthelustoftheeyes,andtheprideoflife。
Theotherpoems,`Youaskmewhy’,`OfoldsatFreedom’,and`Lovethouthyland’,areimportantasexponentsofwhatmaybecalledthepoet’sinstitutionalcreed。Acarefulstudyofhissubsequentpoetrywillshowthatintheseearlypoemsheaccuratelyanddistinctlyrevealedtheattitudetowardoutsidethingswhichhehassincemaintained。Heisagooddealofaninstitutionalpoet,and,ascomparedwithBrowning,aSTRONGLYinstitutionalpoet。Browning’ssupremeandall-absorbinginterestisinindividualsouls。Hecaresbutlittle,evidently,aboutinstitutions。Atanyrate,hegivesthemlittleornoplaceinhispoetry。Tennysonisaverydecidedreactionaryproductoftherevolutionaryspiritwhichinspiredsomeofhispoeticalpredecessorsofthepreviousgeneration。
Hehasahorroroftherevolutionary。Tohim,theFrenchRevolutionwas”theblindhystericsoftheCelt”,[`InMemoriam’,cix。],and”theredfool-furyoftheSeine”[`I。M。’,cxxvii。]。
Heattachesgreatimportancetotheoutsidearrangementsofsocietyforupholdingandadvancingtheindividual。Hewould”makeKnowledgecirclewiththewinds”,but”herherald,Reverence”,must”flyBeforehertowhateverskyBearseedofmenandgrowthofminds。”
Hehasagreatregardforprecedents,almostASprecedents。
Heisemphaticallythepoetoflawandorder。Allhissympathiesaredecidedly,butnotnarrowly,conservative。Heis,inshort,achoiceproductofnineteenthcenturyENGLISHcivilization;
andhispoetrymaybesaidtobethemostdistinctexpressionoftherefinementsofEnglishculture——refinements,ratherthantheruderbutmorevitalformsofEnglishstrengthandpower。
Allhisidealsofinstitutionsandthegeneralmachineryoflife,arederivedfromEngland。Sheis”thelandthatfreementill,Thatsober-suitedFreedomchose,Thelandwhere,girtwithfriendsorfoes,Amanmayspeakthethinghewill;
AlandofSETTLEDGOVERNMENT,ALANDOFJUSTANDOLDRENOWN,WHEREFREEDOMBROADENSSLOWLYDOWN
FROMPRECEDENTTOPRECEDENT:
Wherefactionseldomgathershead,Butbydegreestofullnesswrought,ThestrengthofsomediffusivethoughtHathtimeandspacetoworkandspread。”
Buttheanti-revolutionaryandtheinstitutionalfeaturesofTennyson’spoetryarenotthoseofthehighergroundofhispoetry。
Theyarefeatureswhich,thoughprimarilydue,itmaybe,tothepoet’stemperament,areindirectlyduetotheparticularformofcivilizationinwhichhehaslived,andmoved,andhadhisculture,andwhichhereflectsmorethananyofhispoeticalcontemporaries。
Themostemphasizedandmostvitalizedidea,theideawhichglintsfortheverywhereinhispoetry,whichhasthemostimportantbearingonman’shigherlife,andwhichmarkstheheightofthespiritualtidereachedinhispoetry,is,thatthehighestorderofmanhoodisawell-poised,harmoniouslyoperatingdualityoftheactiveorintellectualordiscursive,andthepassiveorspirituallysensitive。ThisistheideawhichINFORMShispoemof`ThePrincess’。Itisprominentin`InMemoriam’andin`TheIdyllsoftheKing’。In`ThePrincess’,thePrince,speakingoftherelationsofthesexes,says:——”inthelongyearslikermusttheygrow;
Themanbemoreofwoman,sheofman;
Hegaininsweetnessandinmoralheight,Norlosethewrestlingthewsthatthrowtheworld;
Shementalbreadth,norfailinchildwardcare,Norlosethechildlikeinthelargermind;
Tillatthelastshesetherselftoman,Likeperfectmusicuntonoblewords;
Andsothesetwain,upontheskirtsofTime,Sitsidebyside,full-summ’dinalltheirpowers,Dispensingharvest,sowingtheTo-be,Self-reverenteachandreverencingeach,Distinctinindividualities,Butlikeeachotherev’nasthosewholove。
ThencomesthestatelierEdenbacktomen:
Thenreigntheworld’sgreatbridals,chasteandcalm:
Thenspringsthecrowningraceofhumankind。”
TostatebrieflythecardinalTennysonianidea,manmustrealizeaWOMANLYMANLINESS,andwomanaMANLYWOMANLINESS。
Tennysonpresentstoushisidealmaninthe109thsectionof`InMemoriam’。Itisdescriptiveofhisfriend,ArthurHenryHallam。AllthatismostcharacteristicofTennyson,evenhisEnglishness,isgatheredupinthispoemofsixstanzas。
Itisinterestingtomeetwithsucharepresentativeandcomprehensivebitinagreatpoet。”HEART-AFFLUENCEindiscursivetalkFromhouseholdfountainsneverdry;
TheCRITICCLEARNESSofaneye,ThatsawthroughalltheMuses’walk;
SERAPHICINTELLECTANDFORCE
TOSEIZEANDTHROWTHEDOUBTSOFMAN;
IMPASSIONEDLOGIC,whichoutranThebearerinitsfierycourse;
HIGHNATUREAMOROUSOFTHEGOOD,BUTTOUCH’DWITHNOASCETICGLOOM;
AndpassionspureinsnowybloomThroughalltheyearsofAprilblood。”
ThefirsttwoversesofthisstanzaalsocharacterizetheKingArthurofthe`IdyllsoftheKing’。*1*Inthenextstanzawehavethepoet’sinstitutionalEnglishness:——”Aloveoffreedomrarelyfelt,OffreedominherregalseatOfEngland;nottheschool-boyheat,TheblindhystericsoftheCelt;
AndMANHOODFUSEDWITHFEMALEGRACE*2*
Insuchasort,thechildwouldtwineAtrustfulhand,unask’d,inthine,Andfindhiscomfortinthyface;
Allthesehavebeen,andtheemineeyesHavelook’don;iftheylook’dinvain,Myshameisgreaterwhoremain,Norletthywisdommakemewise。”——
*1*See`TheHolyGrail’,theconcludingthirty-twoverses,beginning:”AndspakeInottootruly,OmyKnights”,andending”yehaveseenthatyehaveseen”。
*2*Theideaof`ThePrincess’。