FrancoisonlycaresforMadeleine,though。Onthestage,welikeamantobeadoredbyallwomen,asthisseemstousaguaranteethathewillonlycareforoneofthem。
  "Champi"isawordpeculiartoacertaindistrict,meaning"naturalson。"Dumas_fils_wroteaplayentitled_LeFilsnaturel_。
  Theheroisalsoasuperiorman,whoplaysthepartofProvidencetothefamilywhichhasrefusedtorecognizehim。
  In_Claudie_,asin_FrancoisleChampi_,theruralsettingisoneofthegreatcharmsoftheplay。Thefirstactisoneofthemostpicturesquescenesonthestage。Ittakesplaceinafarmyard,thedaywhenthereapershavefinishedtheirtask,whichisjustasawe—inspiringasthatofthesowers。Acart,drawnbyoxen,enterstheyard,bringingasheafalladornedwithribbonsandflowers。Theoldestofthelabourers,PereRemy,addressesafinecouplettothesheafofcornwhichhascostsomuchlabour,butwhichisdestinedtokeeplifeinthemall。
  Claudieisoneofthoseyoungpeasantgirls,whomwemetwithinthenovelentitled_Jeanne_。Shehadbeenunfortunate,butJeanne,althoughvirtuousandpureherself,didnotdespiseher,forinthecountrythereisgreatlatitudeincertainmatters。
  Thisisjusttheplainstory,butonthestageeverythingbecomesmoredramaticandistreatedinamoredetailedandsolemnfashion。
  Claudie’smisfortunecauseshertobecomeasortofpersonageapart,anditraisesherveryhighinherownesteem。
  "Iamnotafraidofanythingthatcanbesaidaboutme,"
  observesClaudie,"for,onknowingthetruth,kind—hearted,uprightpeoplewillacknowledgethatIdonotdeservetobeinsulted。"
  Heroldgrandfather,Remy,hascompletelyabsolvedher。
  "Youhaverepentedandsufferedenough,andyouhaveworkedandweptandexpiatedenough,too,mypoorClaudie,"hesays。
  Throughallthisshehasbecomeworthytomakeanexcellentmarriage。
  Itisacaseofthatspecialmoralcodebywhich,afterfreelove,thefaultmustberecompensed。
  ClaudieislaterontheJeannineofthe_IdeesdeMadameAubray_,theDeniseofAlexandreDumas。Sheistheunmarriedmother,whosemisfortuneshavenotcrushedherpride,who,afterbeingoutraged,hasarightnowtoadoubleshareofrespect。Thefirstgoodyoungmaniscalledupontoacceptherpastlife,forthereisalawofsolidarityintheworld。Thehumanspeciesisdividedintotwocategories,theoneisalwaysbusydoingharm,andtheotherisnaturallyobligedtogiveitselfuptomakinggoodtheharmdone。
  _TheMariagedeVictorine_belongstoawell—knownkindofliteraryexercise,whichwasformerlyverymuchinhonourinthecolleges。
  Thisconsistsintakingacelebratedworkattheplacewheretheauthorhasleftitandinimaginingthe"sequel。"Forinstance,afterthe_Cid_,therewouldbethemarriageofRodrigueandChimeneforus。Asacontinuationof_L’EcoledesFemmes_,thereistheresultofthemarriageoftheyoungHoracewiththetiresomelittleAgnes。Corneillegaveasequeltothe_Menteur_himself。
  Fabred’Eglantinewrotethesequelto_LeMisanthrope_,andcalledit_LePhilintedeMoliere_。GeorgeSandgivesusherethesequelofSedaine’s_chef—d’oeuvre_(thatis,a_chef—d’oeuvre_
  forSedaine),_LePhilosophesanslesavor。_
  In_LePhilosophesanslesavoir_MonsieurVanderkeisanobleman,whohasbecomeamerchantinordertobeinaccordancewiththeideasofthetimes。HeisaFrenchman,buthehastakenaDutchnameoutofsnobbishness。HehasaclerkoraconfidentialservantnamedAntoine。
  VictorineisAntoine’sdaughter。Vanderke’ssonistofightaduel,andfromVictorine’semotion,whilstawaitingtheresultofthisduel,itiseasytoseethatsheisinlovewiththisyoungman。
  GeorgeSand’splayturnsonthequestionofwhatistobedonewhenthedaycomesforVictorinetomarry。Anexcellenthusbandisfoundforher,acertainFulgence,oneofMonsieurVanderke’sclerks。
  Hebelongstoherownclass,andthisisconsideredoneoftheindispensableconditionsforhappinessinmarriage。Helovesher,sothateverythingseemstofavourVictorine。Wearedelighted,andshe,too,seemstobeingoodspirits,but,allthetimethatsheisreceivingcongratulationsandpresents,webegintoseethatshehassomegreattrouble。
  "Silkandpearls!"sheexclaims;"oh,howheavytheyare,butIamsurethattheyareveryfine。Lace,too,andsilver;oh,suchaquantityofsilver。HowrichandfineandhappyIshallbe。
  AndthenFulgenceissofondofme。"(Shegetssadderandsadder。)
  "Andfatherissopleased。Howstrange。Ifeelstifled。"
  (ShesitsdowninAntoinc’schair。)"Isthisjoy?……Ifeel……
  Ah,ithurtstobeashappyasthis……"Sheburstsintotears。
  Thissuppressedemotiontowhichshefinallygivesvent,andthisforcedsmilewhichendsinsobsareveryeffectiveonthestage。
  Thequestionis,howcanVictorine’stearsbedried?ShewantstomarryyoungVanderke,thesonofherfather’semployer,insteadoftheclerk。Theonlythingis,then,toarrangethismarriage。
  "Isitacrime,then,formybrothertoloveVictorine?"asksSophie,"andisitmadofmetothinkthatyouwillgiveyourconsent?"
  "MydearSophie,"repliesMonsieurVanderke,"therearenounequalmarriagesinthesightofGod。AservitorlikeAntoineisafriend,andIhavealwaysbroughtyouuptoconsiderVictorineasyourcompanionandequal。"
  Thisisthewaythefatherofthefamilyspeaks。Personally,Iconsiderhimratherimprudent。
  Asthisplayisalreadyasequeltoanotherone,Idonotwishtoproposeasequelto_LeMariagedeVictorine_,butIcannothelpwonderingwhatwillhappenwhenVanderke’ssonfindshimselftheson—in—lawofanoldservant—man,andalsowhatwilloccurifheshouldtakehiswifetocallonsomeofhissister’sfriends。
  Itseemstomethathewouldthenfindouthehad,madeamistake。
  Amongthevariouspersonages,onlyoneappearstomequiteworthyofinterest,andthatispoorFulgence,whowassostraightforwardandhonest,andwhoistreatedsobadly。
  ButhowdeepVictorinewas!Evenifweadmitthatshedidnotdeliberatelyschemeandplottogetherselfmarriedbythesonofthefamily,shedidinstinctivelyallthathadtobedoneforthat。Shewasverydeepinaninnocentway,andIhavecometotheconclusionthatsuchdeepnessisthemosttobefeared。
  Iseequitewellallthatislackinginthesepieces,andthattheyarenotverygreat,butallthesametheyforma"theatre"apart。
  ThereisunityinthistheatricalworkofGeorgeSand。Whetheritmakesaheroofthenaturalson,rehabilitatestheseducedgirl,orcriesdowntheideaof_mesalliances_,itisalwaysthesamefightinwhichitisengaged;itisalwaysfightingagainstthesameenemies,prejudiceandnarrow—mindedness。Onthestage,wecalleveryopinioncontrarytoourownprejudiceornarrow—mindedness。Thetheatrelivesbyfighting。Itmatterslittlewhattheauthorisattacking。
  Hemaywagewarwithprinciples,prejudices,giants,orwindmills。
  Providedthattherebeabattle,therewillbeatheatreforit。
  ThefactthatGeorgeSand’stheatrewastheforerunnerofthetheatreofDumas_fils_givesitadditionalvalue。WehavealreadynoticedtheanalogyofsituationsandthekinshipoftheoriescontainedinGeorgeSand’sbestplaysandinthemostnotedonesbyDumas。
  IhavenodoubtthatDumasowedagreatdealtoGeorgeSand。
  Weshallseethathepaidhisdebtasonlyhecouldhavedone。
  Heknewthenovelistwhenhewasquiteyoung,asDumas_pere_andGeorgeSandwereonveryfriendlyterms。InherlettertellingSainte—BeuvenottotakeMussettocallonher,asshethoughthimimpertinent,shetellshimtobringDumas_pere_,whomsheevidentlyconsideredwellbred。Asshewasafriendofhisfather’s,shewaslikeamotherfortheson。Thefirstlettertohiminthe_Correspondance_
  isdated1850。Dumas_fils_wasthentwenty—sixyearsofage,andshecallshim"myson。"
  Hehadnotwritten_LaDameauxCamelias_then。ItwasperformedforthefirsttimeinFebruary,1852。Hewasmerelytheauthorofafewsecond—ratenovelsandofavolumeofexecrablepoetry。
  Hehadnotfoundouthiscapabilitiesatthattime。ThereisnodoubtthathewasgreatlystruckbyGeorgeSand’splays,imbuedastheywerewiththeideaswehavejustpointedout。
  Allthisisworthyofnote,asitisessentialforunderstandingtheworkofAlexandreDumas_fils_。He,too,wasanaturalson,andhisillegitimatebirthhadcausedhimmuchsuffering。HewassenttothePensionGoubaux,andforseveralyearsheenduredthetorturehedescribeswithsuchharshnessatthebeginningof_L’AffaireClemenceau_。
  Hewasexposedtoallkindsofinsultsandblows。Hisfirstcontactwithsocietytaughthimthatthissocietywasunjust,andthatitmadetheinnocentsuffer。Thefirstexperiencehehadwasthatofthecrueltyandcowardiceofmen。Hismindwasdeeplyimpressedbythis,andheneverlosttheimpression。Hedidnotforgive,butmadeithismissiontodenouncethepharisaicalattitudeofsociety。Hisideawastotreatmenaccordingtotheirmerits,andtopaythembackfortheblowshehadreceivedasachild。[49]
  Itiseasy,therefore,tounderstandhowtheprivategrievancesofDumas_fils_hadpreparedhismindtowelcomeatheatrewhichtookthepartoftheoppressedandwagedwarwithsocialprejudices。
  Iamfullyawareofthedifferenceintemperamentofthetwowriters。
  Dumas_fils_,withhiskeenobservation,wasapessimist。
  Hedespisedwoman,andheadvisesustokillher,underthepretextthatshehasalwaysremained"thestrumpetofthelandofNo。"althoughshemaybedressedinaWorthcostumeandwearaRebouxhat。
  [49]SeeourstudyofDumas_fils_inavolumeentitled_Portraitsd’ecrivains。_
  Asadramaticauthor,AlexandreDumas_fils_hadjustwhatGeorgeSandlacked。Hewasvigorous,hehadtheartofbrevityandbrilliantdialogue。ItisthankstoallthisthatwehaveoneofthemasterpiecesoftheFrenchtheatre,_LeMarquisdeVillemer_,asaresultoftheircollaboration。
  WeknowfromGeorgeSand’slettersthesharethatDumas_fils_
  hadinthiswork。Hehelpedhertotaketheplayfromhernovel,andtowritethescenario。Afterthis,whenoncetheplaywaswritten,hetouchedupthedialogue,puttinginmoreemphasisandbrilliancy。
  ItwasDumas,therefore,whoconstructedtheplay。WeallknowhowcarelessGeorgeSandwaswithhercomposition。Shewrotewithscarcelyanyplaninhermindbeforehand,andletherselfbecarriedawaybyevents。Dumas’ideawasthatthe_denouement_
  isamathematicaltotal,andthatbeforewritingthefirstwordofapiecetheauthormustknowtheendandhavedecidedtheaction。
  TheatricalmanagerscomplainedofthesadnessofGeorgeSand’splays。
  ItistoDumasthatweowethegaietyoftheDucd’Aleria’s_role_。
  Itisonecontinualflowofamusingspeeches,anditsavesthepiecefromthedangeroffallingintotearfuldrama。GeorgeSandhadnowit,andDumas_fils_wasfullofit。Itwashewhoputintothedialoguethoselittlesayingswhicharesoeasilyrecognizedashis。
  "Whatdothedoctorssay?"isasked,andthereplycomes:
  "Whatdothedoctorssay?Well,theysayjustwhattheyknow:
  theysaynothing。"
  "MybrotherdeclaresthattheairofParisistheonlyairhecanbreathe,"saysanothercharacter。
  "Congratulatehimformeonhislungs,"remarkshisinterlocutor。
  "Herhusbandwasabaron……"remarkssomeone。
  "Whoisnotabaronatpresent?"answersanotherperson。
  Acertainelderlygovernessisbeingdiscussed。
  "Didyounotknowher?"
  "MademoiselleArtemise?No,monsieur。"
  "Haveyoueverseenanalbatross?"
  "No,never。"
  "Notevenstuffed?Oh,youshouldgototheZoo。Itisacuriouscreature,withitsgreatbeakendinginahook……Iteatsalldaylong……Well,MademoiselleArtemise,etc……"
  The_MarquisdeVillemer_isinitsplaceintheseriesofGeorgeSand’splays,andisquiteinaccordancewiththegeneraltoneofhertheatre。Itislikethe_MariagedeVictorine_overagain。
  ThistimeVictorineisareader,whogetsherselfmarriedbyaMarquisnamedUrbain。Heisofagloomydisposition,sothatshewillnotenjoyhissocietymuch,butshewillbeaMarquise。
  VictorineandCarolinearebothpersonswhoknowhowtomaketheirwayintheworld。Whentheyhaveason,Ishouldbeverymuchsurprisediftheyallowedhimtomakea_mesalliance_。
  GeorgeSandwasoneofthepersonsforwhomDumas_fils_
  hadthegreatestadmiration。Asaproofofthis,avoluminouscorrespondencebetweenthemexists。Ithasnotyetbeenpublished,butthereisapossibilitythatitmaybesomeday。Iremember,whentalkingwithDumas_fils_,thetermsinwhichhealwaysspokeof"lamereSand,"ashecalledherinafamiliarbutfilialway。
  Hecomparedhertohisfather,andthatwasgreatpraiseindeedfromhim。
  Headmiredinher,too,asheadmiredinhisfather,thatwealthofcreativepowerandimmensecapacityforuninterruptedwork。
  Asaproofofthisadmiration,wehaveonlytoturntotheprefaceto_LeFilsnaturel_,inwhichDumasissofuriouswiththeinhabitantsofPalaiseau。GeorgeSandhadtakenupherabodeatPalaiseau,andDumashadbeentryinginvaintodiscoverheraddressinthedistrict,whenhecameacrossoneofthenatives,whorepliedasfollows:"GeorgeSand?Waitaminute。Isn’titaladywithpapers?""Somuchfortheglory,"concludesDumas,"ofthoseofuswithpapers。"Accordingtohim,nowomanhadeverhadmoretalentorasmuchgenius。"ShethinkslikeMontaigne,"
  hesays,"shedreamslikeOssianandshewriteslikeJean—Jacques。
  Leonardosketchesherphrasesforher,andMozartsingsthem。
  MadamedeSevignekissesherhands,andMadamedeStaelkneelsdowntoherasshepasses。"WecanscarcelyimagineMadamedeStaelinthishumbleposture,butoneofthecharmsofDumaswashisgenerousnature,whichsparednopraiseandwaslavishinenthusiasm。
  Attheepochatwhichwehavenowarrived,GeorgeSandhadcommencedthatperiodoftranquillityandcalminwhichshewastospendtherestofherlife。Shehadgivenuppolitics,for,aswehaveseen,shewasquicklyundeceivedwithregardtothem,andcuredofherillusions。
  Whenthe_coupd’etat_ofDecember,1851,tookplace,GeorgeSand,whohadbeenLedru—Rollin’scollaboratorandafriendofBarbes,soonmadeuphermindwhattodo。AsthedaughterofMurat’s_aide—de—camp_,shenaturallyhadacertainsympathywiththeBonapartists。
  NapoleonIIIwasasocialist,sothatitwaspossibletocometoanunderstanding。WhentheprincehadbeenaprisoneratHam,hehadsentthenovelisthisstudyentitled_L’Extinctiondupauperisme_。
  GeorgeSandtookadvantageofherformerintercoursewithhimtobegforhisindulgrenceinfavourofsomeofherfriends。
  Thistimeshewasinherproper_role_,the_role_ofawoman。
  The"tyrant"grantedthefavourssheasked,andGeorgeSandthencametotheconclusionthathewasagoodsortoftyrant。Shewasaccusedoftreason,butsheneverthelesscontinuedtospeakofhimwithgratitude。SheremainedongoodtermswiththeImperialfamily,particularlywithPrinceJerome,assheappreciatedhisintellect。
  Sheusedtotalkwithhimonliteraryandphilosophicalquestions。
  Shesenthimtwotapestryottomansoneyear,whichshehadworkedforhim。HersonMauricewentforacruisetoAmericaonPrinceJerome’syacht,andhewasthegodfatherofGeorgeSand’slittlegrandchildrenwhowerebaptizedasProtestants。
  GeorgeSanddeservesspecialmentionforherscienceintheartofgrowingold。Itisnotascienceeasytomaster,andpersonallythisisoneofmyreasonsforadmiringher。Sheunderstoodwhatacharmthereisinthattimeoflifewhenthevoiceofthepassionsisnolongerheard,sothatwecanlistentothevoiceofthingsandexaminethelessonoflife,thattimewhenourreasonmakesusmoreindulgent,whenthesadnessofearthlyseparationsissoftenedbythethoughtthatweshallsoongoourselvestojointhosewhohaveleftus。WethenbegintohaveaforetasteofthecalmnessofthatGreatSleepwhichistoconsoleusattheendofalloursufferingsandgrief。GeorgeSandwasfullyawareofthechangethathadtakenplacewithinher。Shesaid,severaltimesover,thattheageofimpersonalityhadarrivedforher。Shewasdelightedathavingescapedfromherselfandatbeingfreefromegoism。
  Fromhenceforthshecouldgiveherselfuptothesentimentswhich,inpedanticandbarbarousjargon,arecalledaltruisticsentiments。
  Bythiswemeanmotherlyandgrandmotherlyaffection,devotiontoherfamily,andenthusiasmforallthatisbeautifulandnoble。
  Shewasdelightedwhenshewastoldofagenerousdeed,andcharmedbyabookinwhichshediscoveredtalent。Itseemedtoherasthoughshewereinsomewayjointauthorofit。
  "MyheartgoesouttoallthatIseedawningorgrowing……"
  shewrote,atthistime。"Whenweseeorreadanythingbeautiful,doesitnotseemasthoughitbelongstousinaway,thatitisneitheryoursnormine,butthatitbelongstoallwhodrinkfromitandarestrengthenedbyit?"[50]
  [50]_Correspondance:_ToOctaveFeuillet,February27,1859。
  Thisisanoblesentiment,andlessrarethanisgenerallybelieved。
  Thepubliclittlethinksthatitisoneofthegreatjoysofthewriter,whenhehasreachedacertainage,toadmiretheworksofhisfellow—writers。GeorgeSandencouragedheryoung_confreres_,Dumas_fils_,FeuilletandFlaubert,atthebeginningoftheircareer,andhelpedthemwithheradvice。
  Wehaveplentyofinformationaboutheratthisepoch。Herintimatefriends,inquisitivepeopleandpersonspassingthroughParis,havedescribedtheirvisitstoheroverandoveragain。WehavetheimpressionsnoteddownbytheGoncourtbrothersintheir_Jounal_。
  Weallknowhowmuchtotrusttothisdiary。WhenevertheGoncourtsgiveusanidea,anopinion,oradoctrine,itisaswelltobewaryinacceptingit。Theywerenotveryintelligent。Idonotwish,insayingthis,todetractfromthem,butmerelytodefinethem。
  Ontheotherhand,whattheysaw,theysawthoroughly,andtheynotedthegenerallook,theattitudeorgesturewithgreatcare。
  WegivetheirimpressionsofGeorgeSand。InMarch,1862,theywenttocallonher。ShewasthenlivinginParis,intheRueRacine。
  Theygiveanaccountofthisvisitintheirdiary。
  "_March_30,1862。
  "Onthefourthfloor,No。2,RueRacine。Alittlegentleman,verymuchlikeeveryoneelse,openedthedoortous。Hesmiled,andsaid:`MessieursdeGoncourt!’andthen,openinganotherdoor,showedusintoaverylargeroom,akindofstudio。
  "Therewasawindowatthefarend,andthelightwasgettingdim,foritwasaboutfiveo’clock。Wecouldseeagreyshadowagainstthepalelight。Itwasawoman,whodidnotattempttorise,butwhoremainedimpassivetoourbowandourwords。Thisseatedshadow,lookingsodrowsy,wasMadameSand,andthemanwhoopened。
  thedoorwastheengraverManceau。MadameSandislikeanautomaticmachine。Shetalksinamonotonous,mechanicalvoicewhichsheneitherraisesnorlowers,andwhichisneveranimated。
  Inherwholeattitudethereisasortofgravityandplacidness,somethingofthehalf—asleepairofapersonruminating。
  Shehasveryslowgestures,thegesturesofasomnambulist。Withamechanicalmovementshestrikesawaxmatch,whichgivesaflicker,andlightsthecigarsheisholdingbetweenherlips。
  "MadameSandwasextremelypleasant;shepraisedusagreatdeal,butwithachildishnessofideas,aplatitudeofexpressionandamournfulgood—naturednessthatwasaschillingasthebarewallofaroom。Manceauendeavouredtoenliventhedialogue。
  WetalkedofhertheatreatNohant,wheretheyactforherandforhermaiduntilfourinthemorning……Wethentalkedofherprodigiousfacultyforwork。Shetoldusthattherewasnothingmeritoriousinthat,asshehadalwaysworkedsoeasily。
  Shewriteseverynightfromoneo’clockuntilfourinthemorning,andshewritesagainforabouttwohoursduringtheday。
  Manceauexplainseverything,ratherlikeanexhibitorofphenomena。
  `Itisallthesametoher,’hetoldus,`ifsheisdisturbed。
  Supposeyouturnonatapatyourhouse,andsomeonecomesintheroom。Yousimplyturnthetapoff。ItislikethatwithMadameSand。’"
  TheGoncourtbrotherswereextremelycleverindetractingfromthemeritsofthepeopleaboutwhomtheyspoke。TheytellusthatGeorgeSandhad"achildishnessinherideasandaplatitudeofexpression。"
  Theywereunkindwithoutendeavouringtobeso。Theyrandownpeopleinstinctively。Theywereeminentlyliterarymen。Theywerealsoartisticwriters,andhadeveninvented"artisticwriting,"
  buttheyhadverylittleincommonwithGeorgeSand’sattitudeofmind。Toherthetheoryofartforthesakeofarthadalwaysseemedaveryhollowtheory。Shewroteaswellasshecould,butsheneverdreamedoftheprofessionofwritinghavinganythingincommonwithanacrobaticdisplay。
  InSeptember,1863,theGoncourtbrothersagainspeakofGeorgeSand,tellingusaboutherlifeatNohant,orratherputtingtheaccounttheygiveintothemouthofTheophileGautier。HehadjustreturnedfromNohant,andhewasaskedifitwasamusingatGeorgeSand’s。
  "JustasamusingasamonasteryoftheMoravianbrotherhood,"
  hereplies。"Iarrivedthereintheevening,andthehouseisalongwayfromthestation。Mytrunkwasputintoathicket,andonarrivingIenteredbythefarminthemidstofallthedogs,whichgavemeafright……"
  Asamatteroffact,Gautier’sarrivalatNohanthadbeenquiteadramaticpoem,halftragicandhalfcomic。AbsolutefreedomwastheruleofNohant。Everyonethereread,wrote,orwenttosleepaccordingtohisownwillandpleasure。GautierarrivedinthatframeofmindpeculiartotheParisianofformerdays。
  HeconsideredthathehadgivenaproofofheroisminventuringoutsidethewallsofParis。Hethereforeexpectedaheartywelcome。
  Hewasverymuchannoyedathisreception,andwasabouttostartbackagainimmediately,whenGeorgeSandwasinformedofhisarrival。
  Shewasextremelyvexedatwhathadhappened,andexclaimed,"ButhadnotanyonetoldhimhowstupidIam!"
  TheGoncourtbrothersaskedGautierwhatlifeatNohantwaslike。
  "Luncheonisatten,"hereplied,"andwhenthefingerwasonthehour,wealltookourseats。MadameSandarrived,lookinglikeasomnambulist,andremainedhalfasleepallthroughthemeal。
  Afterluncheonwewentintothegardenandplayedat_cochonnet_。
  Thisrousedher,andshewouldthensitdownandbegintotalk。"
  Itwouldhavebeenmoreexacttosaythatshelistened,asshewasnotagreattalkerherself。Shehadahorrorofacertainkindofconversation,ofthatfutile,paradoxicalandspasmodickindwhichisthespecialityof"brillianttalkers。"Sparklingconversationofthissortdisconcertedherandmadeherfeelillatease。
  Shedidnotlikethetopictobetheliteraryprofessioneither。
  ThisexasperatedGautier,whowouldnotadmitoftherebeinganythingelseintheworldbutliterature。
  "Atthreeo’clock,"hecontinued,"MadameSandwentawaytowriteuntilsix。Wethendined,butwehadtodinequickly,sothatMarieCaillotwouldhavetimetodine。MarieCaillotistheservant,asortoflittleFadettewhomMadameSandhaddiscoveredintheneighbourhoodforplayingherpieces。
  ThisMarieCaillotusedtocomeintothedrawing—roomintheevening。
  AfterdinnerMadameSandwouldplaypatience,withoututteringaword,untilmidnight……Atmidnightshebegantowriteagainuntilfouro’clock……Youknowwhathappenedonce。Somethingmonstrous。
  Shefinishedanovelatoneo’clockinthemorning,andbegananotherduringthenight……TomakecopyisafunctionwithMadameSand。"
  ThemarionettetheatrewasoneoftheNohantamusements。Oneofthejoysofthefamily,andalsooneofthedelightsof_dilettanti_,[51]
  wasthepaintingofthescenery,themanufacturingofcostumes,theworkingoutofscenarios,dressingdollsandmakingthemtalk。
  [51]"TheindividualnamedGeorgeSandisverywell。HeisenjoyingthewonderfulwinterwhichreignsinBerry;hegathersflowers,pointsoutanyinterestingbotanicalanomalies,sewsdressesandmantlesforhisdaughter—in—law,andcostumesforthemarionettes,cutsoutstagescenery,dressesdollsandreadsmusic……"——_Correspondance:_ToFlaubert,January17,1869。
  Inoneofhernovels,publishedin1857,GeorgeSandintroducestousacertainChristianWaldo,whohasamarionetteshow。
  Heexplainstheattractionofthiskindoftheatreandthefascinationofthese_burattini_,whichwerelivingbeingstohim。
  Thoseamonguswho,somefifteenyearsago,wereinfatuatedbyasimilarshow,arenotsurprisedatWaldo’swords。ThemarionettestowhichwereferweretobeseeninthePassageVivienne。
  Sacredplaysinverseweregiven,andthemanagerswereMonsieurRichepinandMonsieurBouchor。Forsuchplayswepreferredactorsmadeofwoodtoactorsoffleshandblood,asthereisalwaysacertaindesecrationotherwiseinactingsuchpieces。
  GeorgeSandrarelyleftNohantnowexceptforherlittleflatinParis。Inthespringof1855,shewenttoRomeforashorttime,butdidnotenjoythisvisitmuch。Shesumsupherimpressionsinthefollowingwords:"Romeisaregularsee—saw。"Theruinsdidnotinteresthermuch。
  "Afterspendingseveraldaysinvisitingurns,tombs,cryptsandcolumns,onefeelstheneedofgettingoutofallthisalittleandofseeingNature。"
  Nature,however,didnotcompensatehersufficientlyforherdisappointmentintheruins。
  "TheRomanCampagna,whichhasbeensomuchvaunted,iscertainlysingularlyimmense,butitissobare,flatanddeserted,somonotonousandsad,milesandmilesofmeadow—landineverydirection,thatthelittlebrainonehasleft,afterseeingthecity,isalmostoverpoweredbyitall。"
  Thisjourneyinspiredherwithoneoftheweakestofhernovels,_LaDaniella_。ItisthediaryofapainternamedJeanValreg,whomarriedalaundry—girl。In1861,afteranillness,shewenttoTamaris,inthesouthofFrance。Thisnameisthetitleofoneofhernovels。Shedoesnotcareforthisplaceeither。
  Sheconsidersthatthereistoomuchwind,toomuchdust,andthattherearetoomanyolive—treesinthesouthofFrance。
  Iamconvincedthatatanearliertimeinherlifeshewould,havebeenwonoverbythefascinationofRome。ShehadcomprehendedthecharmofVenicesoadmirably。Atanearlierdate,too,shewouldnothavebeenindifferenttothebeautiesofProvence,asshehaddelightedinmeridionalNaturewheninMajorca。
  Theyearswereover,though,forhertoenjoythevarietyofoutsideshowswithalltheirphantasmagoria。Atimecomesinlife,andithadalreadycomeforher,whenwediscoverthatNature,whichhasseemedsovaried,isthesameeverywhere,thatwehavequitenearusallthatwehavebeensofarawaytoseek,alittleofthisearth,alittlewaterandalittlesky。Wefind,too,thatwehaveneitherthetimenortheinclinationtogoawayinsearchofallthiswhenourhoursarecountedandwefeeltheendnear。
  Theessentialthingthenistoreserveforourselvesalittlespaceforourmeditations,betweentheagitationsoflifeandthatmomentwhichalonedecideseverythingforus。
  X
  THEGENIUSOFTHEWRITER
  CORRESPONDENCEWITHFLAUBERT——LASTNOVELS
  Withthatmaternalinstinctwhichwassostrongwithinher,GeorgeSandcouldnotdowithouthavingachildtoscold,directandtaketotask。
  Theonetowhomshewastodevotethelasttenyearsofherlife,whoneededherbeneficentaffectionmorethananyofthoseshehadadopted,wasakindofgiantwithhairturnedbackfromhisforeheadandathickmoustachelikeaNormanoftheheroicages。HewasjustsuchamanaswecanimaginethepiratesinDucRollo’sboats。
  ThisdescendantoftheVikingshadbeenbornintimesofpeace,andhissoleoccupationwastoendeavourtoformharmoniousphrasesbyavoidingassonances。
  IdonotthinktherehavebeentwoindividualsmoredifferentfromeachotherthanGeorgeSandandGustaveFlaubert。Hewasanartist,andsheinmanyrespectswas_bourgeoise_。Hesawallthingsattheirworst;shesawthembetterthantheywere。Flaubertwrotetoherinsurpriseasfollows:"Inspiteofyourlargesphinxeyes,youhaveseentheworldthroughgoldcolour。"
  Shelovedthelowerclasses;hethoughtthemdetestable,andqualifieduniversalsuffrageas"adisgracetothehumanmind。"
  Shepreachedconcord,theunionofclasses,whilsthegavehisopinionasfollows:
  "Ibelievethatthepoorhatetherich,andthattherichareafraidofthepoor。Itwillbelikethiseternally。"
  Itwasalwaysthus。Oneverysubjecttheopinionoftheonewassuretobethedirectoppositeoftheopinionoftheother。
  Thiswasjustwhathadattractedthem。
  "Ishouldnotbeinterestedinmyself,"GeorgeSandsaid,"ifI
  hadthehonourofmeetingmyself。"ShewasinterestedinFlaubert,asshehaddivinedthathewasherantithesis。
  "ThemanwhoisJustpassing,"saysFantasio,"ischarming。Thereareallsortsofideasinhismindwhichwouldbequitenewtome。"
  GeorgeSandwantedtoknowsomethingoftheseideaswhichwerenewtoher。SheadmiredFlaubertonaccountofallsortsofqualitieswhichshedidnotpossessherself。Shelikedhim,too,asshefeltthathewasunhappy。
  Shewenttoseehimduringthesummerof1866。TheyvisitedthehistoricstreetsandoldpartsofRouentogether。Shewasbothcharmedandsurprised。Shecouldnotbelievehereyes,asshehadneverimaginedthatallthatexisted,andsonearParis,too。
  ShestayedinthathouseatCroissetinwhichFlaubert’swholelifewasspent。ItwasahousewithwidewindowsandaviewovertheSeine。Thehoarse,monotonoussoundofthechaintowingtheheavyboatsalongcouldbehearddistinctlywithintherooms。
  Flaubertlivedtherewithhismotherandniece。ToGeorgeSandeverythingthereseemedtobreatheoftranquillityandcomfort,butatthesametimeshebroughtawaywithheranimpressionofsadness。SheattributedthistothevicinityoftheSeine,comingandgoingasitdoesaccordingtothebar。
  "Thewillowsoftheisletsarealwaysbeingcoveredanduncovered,"
  shewrites;"italllooksverycoldandsad。[52]
  [52]_Correspondance:_ToMauriceSand,August10,1866。
  Shewasnotreallyduped,though,byherownexplanation。Sheknewperfectlywellthatwhatmakesahousesadorgay,warmoricy—coldisnottheoutlookontothesurroundingcountry,butthesoulofthosewhoinhabititandwhohavefashioneditintheirownimage。
  Shehadjustbeenstayinginthehouseofthemisanthropist。
  WhenMoliereputthemisanthropistonthestagewithhiswretched—lookingface,hegavehimsomeofthefeatureswhichremindussostronglyofFlaubert。ThemostordinaryandeverydayeventswerealwaysenoughtoputAlcesteintoarage。
  ItwasjustthesamewithFlaubert。Everydaythingswhichwearephilosophicalenoughtoaccepttookhisbreathaway。Hewasangry,andhewantedtobeangry。Hewasirritatedwitheveryoneandwitheverything,andhecultivatedthisirritation。Hekepthimselfinacontinualstateofexasperation,andthiswashisnormalstate。
  Inhislettershedescribedhimselfas"worriedwithlife,"
  "disgustedwitheverything,""alwaysagitatedandalwaysindignant。"
  Hespells_hhhindignant_withseveralh’s。Hesignshisletters,"TheReverendFatherCruchardoftheBarnabiteOrder,directoroftheLadiesofDisenchantment。"Addedtoallthis,althoughtheremayhavebeenacertainamountofposeinhisattitude,hewassincere。
  He"roared"inhisownstudy,whenhewasquitealoneandtherewasnoonetobeaffectedbyhisroaring。Hewasorganizedinaremarkablewayforsuffering。Hewasbothromanticandrealistic,akeenobserverandanimaginativeman。Heborrowedsomeofthemostpitifultraitsfromreality,andrecomposedthemintoaregularnightmare。
  WeagreewithFlaubertthatinjusticeandnonsensedoexistinlife。
  ButhegivesusNonsenseitself,theseven—headedandten—hornedbeastoftheApocalypse。Heseesthisbeasteverywhere,ithauntshimandblocksupeveryavenueforhim,sothathecannotseethesublimebeautiesofthecreationnorthesplendourofhumanintelligence。
  Inreplytoallhiswildharangues,GeorgeSandgiveswiseanswers,smilingasshegivesthem,andusinghercommonsensewithwhichtoprotectherselfagainstthetrickeryofwords。Whathashetocomplainof,thisgrown—upchildwhoistoonaiveandwhoexpectstoomuch?Bywhatextraordinarymisfortunehashesuchanexceptionallyunhappylot?Heisfairlywelloffandhehasgreattalent。Howmanypeoplewouldenvyhim!Hecomplainsoflife,suchasitisforeveryone,andofthepresentconditionsoflife,whichhadneverbeenbetterforanyoneatanyepoch。Whatistheuseofgettingirritatedwithlife,sincewedonotwishtodie?
  Humanityseemeddespicabletohim,andhehatedit。Washenotapartofthishumanityhimself?Insteadofcursingourfellow—menforawholecrowdofimperfectionsinherenttotheirnature,woulditnotbemorejusttopitythemforsuchimperfections?
  Astostupidityandnonsense,ifheobjectedtothem,itwouldbebettertopaynoattentiontothem,insteadofwatchingoutforthemallthetime。Besideallthis,istherenotmorereasonthanweimagineforeveryoneofustobeindulgenttowardsthestupidityofotherpeople?
  "Thatpoorstupidityofwhichwehearsomuch,"exclaimedGeorgeSand。
  "Idonotdislikeit,asIlookonitwithmaternaleyes。"
  Thehumanraceisabsurd,undoubtedly,butwemustownthatwecontributeourselvestothisabsurdity。
  ThereissomethingmorbidinFlaubert’scase,andwithequalclearnessofvisionGeorgeSandpointsouttohimthecauseofitandtheremedy。
  Themorbidnessiscausedinthefirstplacebyhisloneliness,andbythefactthathehasseveredallbondswhichunitedhimtotherestoftheuniverse。Woebetothosewhoarealone!Theremedyisthenextconsideration。Istherenot,somewhereintheworld,awomanwhomhecouldloveandwhowouldmakehimsuffer?Istherenotachildsomewherewhosefatherhecouldimaginehimselftobe,andtowhomhecoulddevotehimself?Suchisthelawoflife。
  Existenceisintolerabletousaslongasweonlyaskforourownpersonalsatisfaction,butitbecomesdeartousfromthedaywhenwemakeapresentofittoanotherhumanbeing。
  Therewasthesameantagonismintheirliteraryopinions。
  Flaubertwasanartist,thetheoristofthedoctrineofartforart,suchasTheophileGautier,theGoncourtbrothersandtheParnassianscomprehendedit,ataboutthesameepoch。Itissingularlyinterestingtohearhimformulateeacharticleofthisdoctrine,andtohearGeorgeSand’sferventprotestationsinreply。
  Flaubertconsidersthatanauthorshouldnotputhimselfintohiswork,thatheshouldnotwritehisbookswithhisheart,andGeorgeSandanswers:
  "Idonotunderstandatall,then。Ohno,itisallincomprehensibletome。"
  Withwhatwasanauthortowritehisbooks,ifnotwithhisownsentimentsandemotions?Washetowritethemwiththeheartsofotherpeople?Flaubertmaintainedthatanauthorshouldonlywriteforabouttwentypersons,unlesshesimplywroteforhimself,"likea_bourgeois_turninghisserviette—ringsroundinhisattic。"
  GeorgeSandwasofopinionthatanauthorshouldwrite"forallthosewhocanprofitbygoodreading。"Flaubertconfessesthatifattentionbepaidtotheolddistinctionbetweenmatterandform,heshouldgivethegreaterimportancetoform,inwhichhehadareligiousbelief。
  Heconsideredthatinthecorrectnessoftheputtingtogether,intherarityoftheelements,thepolishofthesurfaceandtheperfectharmonyofthewholetherewasanintrinsicvirtue,akindofdivineforce。Inconclusion,headds:
  "Iendeavourtothinkwellalways,_inorderto_writewell,butIdonotconcealthefactthatmyobjectistowritewell。"
  This,then,wasthesecretofthatworkingupofthestyle,untilitbecameamaniawithhimanddevelopedintoatorture。
  WeallknowofthedaysofanguishwhichFlaubertspentinsearchingforawordthatescapedhim,andtheweeksthathedevotedtoroundingoffoneofhisperiods。Hewouldneverwritethesedownuntilhehadsaidthemtohimself,or,asheputithimself,until"theyhadgonethroughhisjaw。"Hewouldnotallowtwocomplementsinthesamephrase,andwearetoldthathewasillafterreadinginoneofhisownbooksthefollowingwords:"Unecouronne_de_
  fleurs_d_’oranger。"
  "Youdonotknowwhatitis,"hewrote,"tospendawholedayholdingone’sheadandsqueezingone’sbrainstofindaword。Ideasflowwithyoufreelyandcontinually,likeastream。Withmetheycomeliketricklingwater,anditisonlybyahugeworkofartthatI
  cangetawaterfall。Ah,Ihavehadsomeexperienceoftheterribletortureofstyle!"No,GeorgeSandcertainlyhadnoexperienceofthiskind,andshecouldnotevenconceiveofsuchtorture。
  Itamazedhertohearofsuchpainfullabour,for,personally,sheletthewindplayonher"oldharp"justasitlisted。
  Briefly,sheconsideredthatherfriendwasthevictimofahopelesserror。Hetookliteraturefortheessentialthing,buttherewassomethingbeforeallliterature,andthatsomethingwaslife。
  "TheHolyofHolies,asyoucallliterature,isonlysecondarytomeinlife。Ihavealwayslovedsomeonebetterthanit,andmyfamilybetterthanthatsomeone。"
  This,then,wasthekeynoteoftheargument。GeorgeSandconsideredthatlifeisnotonlyapretextforliterature,butthatliteratureshouldalwaysrefertolifeandshouldberegulatedbylife,asbyamodelwhichtakestheprecedenceofitandgoesfarbeyondit。This,too,isouropinion。
  ThestateofmindwhichcanbereadbetweenthelinesinGeorgeSand’sletterstoFlaubertisserenity,andthisisalsothecharacteristicofherworkduringthelastperiodofherlife。Her"laststyle"
  isthatof_JeandelaRocke_,publishedin1860。Ayoungnobleman,JeandelaRoche,loseshishearttotheexquisiteLoveButler。
  Shereturnshisaffection,butthejealousyofayoungbrotherobligesthemtoseparate。Inordertobenearthewomanheloves,JeandelaRochedisguiseshimselfasaguide,andaccompaniesthewholefamilyinanexcursionthroughtheAuvergnemountains。
  Ayoungnoblemanasaguideisbynomeansanordinarything,butinloveaffairssuchdisguisesareadmitted。LoversinthewritingsofMarivauxtookthepartsofservants,andinformerdaysnoonewassurprisedtomeetwithprincesindisguiseonthehigh—roads。
  GeorgeSand’smasterpieceofthiskindisundoubtedly_LeMarquisdeVillemer_,publishedin1861。Aprovincial_chateau_,anoldaristocraticwoman,scepticalandindulgent,twobrotherscapableofbeingrivalswithoutceasingtobefriends,ayounggirlofnoblebirth,butpoor,calumnybeingspreadabroad,butquicklyrepudiated,somewonderfulpagesofdescription,andsomeelegant,sinuousconversations。Allthishasacertaincharm。
  ThepoorgirlmarriestheMarquisintheend。This,too,isareturntoformerdays,tothedayswhenkingsmarriedshepherdesses。
  Thepleasurethatwehaveinreadingsuchnovelsisverymuchlikethatwhichweusedtofeelonhearingfairy—stories。
  "Ifsomeoneweretotellmethestoryof_Peaud’Ane_,Ishouldbedelighted,"confessedLaFontaine,andsurelyitwouldbebadformtobemoredifficultandover—nicethanhewas。Bigchildrenasweare,weneedstorieswhichgivefoodtoourimagination,afterbeingdisappointedbytherealitiesoflife。Thisisperhapstheveryobjectofthenovel。Romanceisnotnecessarilyanexaggeratedaspirationtowardsimaginarythings。Itissomethingelsetoo。
  ItistherevoltofthesoulwhichisoppressedbytheyokeofNature。Itistheexpressionofthattendencywithinustowardsafreedomwhichisimpossible,butofwhichweneverthelessdream。
  Anironlawpresidesoverourdestiny。Aroundusandwithinus,theseriesofcausesandeffectscontinuestounwinditshardchain。
  Everysingleoneofourdeedsbearsitsconsequence,andthisgoesontoeternity。Everyfaultofourswillbringitschastisement。
  Everyweaknesswillhavetobemadegood。Thereisnotamomentofoblivion,notaninstantwhenwemayceasetobeonourguard。
  Romanticillusionis,then,justanattempttoescape,atleastinimagination,fromthetyrannyofuniversalorder。
  Itisimpossible,inthisvolume,toconsiderallGeorgeSand’sworks。
  Someofherothersarecharming,butthewholeserieswouldperhapsappearsomewhatmonotonous。Thereis,however,onenovelofthisepochtowhichwemustcallattention,asitislikeaburstofthunderduringcalmweather。ItalsorevealsanaspectofGeorgeSand’sideaswhichshouldnotbepassedoverlightly。
  ThisbookwasperhapstheonlyoneGeorgeSandwroteundertheinfluenceofanger。Wereferto_MademoiselleLaQuintinie_。
  OctaveFeuillethadjustpublishedhis_HistoiredeSibylle_,andthisbookmadeGeorgeSandfuriouslyangry。Weareatalosstocomprehendherindignation。Feuillet’snovelisverygracefulandquiteinoffensive。Sibylleisafancifulyoungperson,whofromherearliestchildhooddreamsofimpossiblethings。
  Shewantshergrandfathertogetastarforher,andanothertimeshewantstorideontheswan’sbackasitswimsinthepool。
  Whensheisbeingpreparedforherfirstcommunion,shehasdoubtsaboutthetruthoftheChristianreligion,butonenight,duringastorm,thepriestoftheplacespringsintoaboatandgoestotherescueofsomesailorsinperil。Allthedifficultiesoftheologicalinterpretationsareatoncedispelledforher。
  Ayoungmanfallsinlovewithher,butondiscoveringthatheisnotabelieversheendeavourstoconverthim,andgoesmoonlightwalkswithhim。Moonlightissometimesdangerousforyounggirls,and,afteroneofthesesentimentalandtheologicalstrolls,shehasamysteriousailment……
  InordertounderstandGeorgeSand’sangeronreadingthisnovel,whichwasbothreligiousandsocial,andatthesametimeveryharmless,wemustknowwhatherstateofmindwasontheessentialquestionofreligion。
  Inthefirstplace,GeorgeSandwasnothostiletoreligiousideas。
  Shehadareligion。ThereisaGeorgeSandreligion。Therearenotmanydogmas,andthecreedissimple。GeorgeSandbelievedfirmlyintheexistenceofGod。WithoutthenotionofGod,nothingcanbeexplainedandnoproblemsolved。ThisGodisnotmerelythe"firstcause。"ItisapersonalandconsciousGod,whoseessential,ifnotsole,functionistoforgive——everyone。
  "Thedogmaofhell,"shewrites,"isamonstrosity,animposture,abarbarism……ItisimpioustodoubtGod’sinfinitepity,andtothinkthatHedoesnotalwayspardon,eventhemostguiltyofmen。"Thisiscertainlythemostcompleteapplicationthathaseverbeenmadeofthelawofpardon。ThisGodisnottheGodofJacob,norofPascal,norevenofVoltaire。HeisnotanunknownGodeither。
  HeistheGodofBerangerandofallgoodpeople。GeorgeSandbelievedalso,veryfirmly,intheimmortalityofthesoul。
  Onlosinganyofherfamily,thecertaintyofgoingtothemsomedaywashergreatconsolation。
  "Iseefutureandeternallifebeforemeasacertainty,"shesaid;
  "itislikealight,and,thankstoitsbrilliancy,otherthingscannotbeseen;butthelightisthere,andthatisallIneed。"
  Herbeliefwas,then,intheexistenceofGod,thegoodnessofProvidenceandtheimmortalityofthesoul。GeorgeSandwasanadeptinnaturalreligion。
  Shedidnotaccepttheideaofanyrevealedreligion,andtherewasoneoftheserevealedreligionsthatsheexecrated。
  ThiswastheCatholicreligion。HercorrespondenceonthissubjectduringtheperiodoftheSecondEmpireismostsignificant。
  ShewasapersonalenemyoftheChurch,andspokeoftheJesuitsasasubscribertothe_Siecle_mightdoto—day。ShefearedthedaggeroftheJesuitsforNapoleonIII,butatthesametimeshehopedtheremightbeafrustratedattemptatmurder,sothathiseyesmightbeopened。Thegreatdangerofmoderntimes,accordingtoher,wasthedevelopmentoftheclericalspirit。
  Shewasnotanadvocateforlibertyofeducationeither。
  "Thepriestlyspirithasbeenencouraged,"shewrote。[53]"Franceisoverrunwithconvents,andwretchedfriarshavebeenallowedtotakepossessionofeducation。"SheconsideredthatwherevertheChurchwasmistress,itleftitsmarks,whichwereunmistakable:
  stupidityandbrutishness。ShegaveBrittanyasanexample。
  [53]_Correspondance:_ToBarbes,May12,1867。
  "Thereisnothingleft,"shewrites,"whenthepriestandCatholicvandalismhavepassedby,destroyingthemonumentsoftheoldworldandleavingtheirliceforthefuture。"[54]
  [54]_Ibid。:_ToFlaubert,September21,1860。
  Itisnouseattemptingtoignorethefact。Thisisanti—clericalisminallitsviolence。Isitnotcuriousthatthispassion,whenonceittakespossessionofeventhemostdistinguishedminds,causesthemtoloseallsentimentofmeasure,ofproprietyandofdignity。
  _MademoiselleLaQuintinie_istheresultofafitofanti—clericalmania。GeorgeSandgives,inthisnovel,thecounterpartof_Sibylle_。
  EmileLemontier,afree—thinker,isinlovewiththedaughterofGeneralLaQuintinie。Emileistroubledinhismindbecause,ashis_fiancee_isaCatholic,heknowsshewillhavetohaveaconfessor。
  Theideaisintolerabletohim,as,likeMonsieurHomais,heconsidersthatahusbandcouldnotenduretheideaofhiswifehavingprivateconversationswithoneofthoseindividuals。MademoiselleLaQuintinie’sconfessorisacertainMoreali,anearrelativeofEugeneSue’sRodin。ThewholenovelturnsonthestrugglebetweenEmileandMoreali,whichendsinthefinaldiscomfitureofMoreali。
  MademoiselleLaQuintinieistomarryEmile,whowillteachhertobeafree—thinker。EmileisproudofhisworkofdrawingasoulawayfromChristiancommunion。Heconsidersthatthelightofreasonisalwayssufficientforilluminatingthepathinawoman’slife。
  Hethinksthathernaturalrectitudewillprovesufficientformakingagoodwomanofher。Idonotwishtocallthisintoquestion,butevenifsheshouldnoterr,isitnotpossiblethatshemaysuffer?
  Thisfree—thinkerimaginesthatitispossibletotearbelieffromaheartwithoutrendingitandcausinganincurablewound。
  Oh,whatapoorpsychologist!Heforgetsthatbeliefisthesummingupandthecontinuationofthebeliefofawholeseriesofgenerations。Hedoesnothearthedistantmurmuroftheprayersofby—goneyears。Itisinvaintoendeavourtostiflethoseprayers;
  theywillbeheardforeverwithinthecrushedanddesolatesoul。
  _MademoiselleLaQuintinie_isaworkofhatred。GeorgeSandwasnotsuccessfulwithit。Shehadnovocationforwritingsuchbooks,andshewasnotaccustomedtowritingthem。Itisanovelfulloftiresomedissertations,anditisextremelydull。
  Fromthatdate,though,GeorgeSandexperiencedthejoyofacertainpopularity。Attheatricalperformancesandatfuneralsthestudentsmanifestedinherhonour。ItwasthesameforSainte—Beuve,butthisdoesnotseemtohavemadeeitherofthemanygreater。
  Wewillpassoverallthis,andturntosomethingthatwecanadmire。
  TherobustandtriumphantoldageofGeorgeSandwasadmirable。
  NearlyeveryyearshewenttosomefreshplaceinFrancetofindasettingforherstories。Shehadtoearnherlivingtotheverylast,andwasdoomedtowritenovelsforever。"IshallbeturningmywheelwhenIdie,"sheusedtosay,and,afterall,thisistheproperendingforaliteraryworker。
  In1870and1871,shesufferedalltheanguishofthe"TerribleYear。"
  Whenoncethenightmarewasover,shesettoworkoncemorelikeatruedaughterofcourageousFrance,unwillingtogivein。
  Shewasashardyasironasshegrewold。"Iwalktotheriver,"
  shewrotein1872,"andbatheinthecoldwater,warmasIam……Iamofthesamenatureasthegrassinthefield。
  SunshineandwaterareallIneed。"
  Forawomanofsixty—eighttobeabletobatheeverydayinthecoldwateroftheIndreisagreatdeal。InMay,1876,shewasnotwell,andhadtostayinbed。Shewasillfortendays,anddiedwithoutsufferingmuch。SheisburiedatNohant,accordingtoherwishes,sothatherlastsleepisinherbelovedBerry。
  Inconclusion,wewouldsayjustafewwordsaboutGeorgeSand’sgenius,andtheplacethatshetakesinthehistoryoftheFrenchnovel。
  OncomparingGeorgeSandwiththenovelistsofhertime,whatstrikesusmostishowdifferentshewasfromthem。SheisneitherlikeBalzac,Stendhal,norMerimee,noranystory—tellerofourthoughtful,cleverandrefinedepoch。Sheremindsusmoreofthe"oldnovelists,"
  ofthosewhotoldstoriesofchivalrousdeedsandofoldlegends,or,togostillfurtherback,sheremindsusofthe_aedes_ofoldGreece。
  Intheearlydaysofanationtherewerealwaysmenwhowenttothecrowdandcharmedthemwiththestoriestheytoldinawordyway。
  Theyscarcelyknewwhethertheyinventedthesestoriesastheytoldthem,orwhethertheyhadheardthemsomewhere。Theycouldnottelleitherwhichwasfictionandwhichreality,forallrealityseemedwonderfultothem。Allthepeopleaboutwhomtheytoldweregreat,allobjectsweregoodandeverythingbeautiful。
  Theyminglednursery—taleswithmythsthatwerequitesensible,andthehistoryofnationswithchildren’sstories。Theywerecalledpoets。
  GeorgeSanddidnotemployaversifiedformforherstories,butshebelongedtothefamilyofthesepoets。Shewasapoetherselfwhohadlostherwayandcomeintoourcenturyofprose,andshecontinuedhersinging。
  Liketheseearlypoets,shewasprimitive。Likethem,sheobeyedagodwithinher。Allhertalentwasinstinctive,andshehadalltheeaseofinstinctivetalent。WhenFlaubertcomplainedtoGeorgeSandofthe"tortures"thatstylecosthim,sheendeavouredtoadmirehim。
  "WhenIseethedifficultythatmyoldfriendhasinwritinghisnovel,Iamdiscouragedaboutmyowncase,andIsaytomyselfthatIamwritingpoorsortofliterature。"
  Thiswasmerelyhercharity,forsheneverunderstoodthattherecouldbeanyeffortinwriting。Consequentlyshecouldnotunderstandthatitshouldcausesuffering。Forher,writingwasapleasure,asitwasthesatisfactionofaneed。Asherworkswerenoefforttoher,theyleftnotraceinhermemory。Shehadnotintendedtowritethem,and,whenoncewritten,sheforgotthem。
  "_ConsueloandLaComtessedeRudolstadt_,whatarethesebooks?"
  sheasks。"DidIwritethem?Idonotrememberasinglewordofthem。"
  Hernovelswerelikefruit,which,whenripe,fellawayfromher。
  GeorgeSandalwaysreturnedtothecelebrationofcertaingreatthemeswhicharetheeternalsubjectsofallpoetry,subjectssuchasloveandnature,andsentimentslikeenthusiasmandpity。
  Theverylanguagecompletestheillusion。Thechoiceofwordswasoftenfarfromperfect,asGeorgeSand’svocabularywasoftenuncertain,andherexpressionlackedprecisionandrelief。Butshehadthegiftofimagery,andherimageswerealwaysdelightfullyfresh。
  Sheneverlostthatrarefacultywhichshepossessedofbeingsurprisedatthings,sothatshelookedateverythingwithyouthfuleyes。
  Thereisacertainmovementwhichcarriesthereaderon,andarhythmthatissoothing。ShedevelopstheFrenchphraseslowlyperhaps,butwithoutanyconfusion。Herlanguageislikethoseriverswhichflowalongfullandlimpid,betweenflowerybanksandoasesofverdure,riversbythesideofwhichthetravellerlovestolingerandtolosehimselfindreams。
  ThesharewhichbelongstoGeorgeSandinthehistoryoftheFrenchnovelisthatofhavingimpregnatedthenovelwiththepoetryinherownsoul。Shegavetothenovelabreadthandarangewhichithadneverhithertohad。ShecelebratedthehymnofNature,ofloveandofgoodnessinit。SherevealedtousthecountryandthepeasantsofFrance。Shegavesatisfactiontotheromantictendencywhichisineveryoneofus,toamoreorlessdegree。
  Allthisismoreeventhanisneededtoensureherfame。Shedeniedeverhavingwrittenforposterity,andshepredictedthatinfiftyyearsshewouldbeforgotten。Itmaybethattherehasbeenforher,asthereisforeveryillustriousauthorwhodies,atimeoftestandaperiodofneglect。Thetriumphofnaturalism,byinfluencingtasteforatime,mayhavestoppedourreadingGeorgeSand。
  Atpresentwearejustastiredofdocumentaryliteratureaswearedisgustedwithbrutalliterature。Wearegraduallycomingbacktoabettercomprehensionofwhatthereisof"truth"inGeorgeSand’sconceptionofthenovel。Thismaybesummedupinafewwords——
  tocharm,totouchandtoconsole。Thoseofuswhoknowsomethingoflifemayperhapswonderwhethertoconsolemaynotbethefinalaimofliterature。GeorgeSand’sliteraryidealmaybereadinthefollowingwords,whichshewrotetoFlaubert:
  "Youmakethepeoplewhoreadyourbooksstillsadderthantheywerebefore。Iwanttomakethemlessunhappy。"Shetriedtodothis,andsheoftensucceededinherattempt。Whatgreaterpraisecanwegivetoherthanthat?Andhowcanwehelpaddingalittlegratitudeandaffectiontoouradmirationforthewomanwhowasthegoodfairyofthecontemporarynovel?