Thedateatwhichthefollowingeventsareassumedtohaveoccurredmaybesetdownasbetween1840and1850,whentheoldwateringplacehereincalled"Budmouth"stillretainedsufficientafterglowfromitsGeorgiangaietyandprestigetolenditanabsorbingattractivenesstotheromanticandimaginativesoulofalonelydwellerinland。
  Underthegeneralnameof"EgdonHeath,"whichhasbeengiventothesombresceneofthestory,areunitedortypifiedheathsofvariousrealnames,tothenumberofatleastadozen;thesebeingvirtuallyoneincharacterandaspect,thoughtheiroriginalunity,orpartialunity,isnowsomewhatdisguisedbyintrusivestripsandslicesbroughtundertheploughwithvaryingdegreesofsuccess,orplantedtowoodland。
  Itispleasanttodreamthatsomespotintheextensivetractwhosesouthwesternquarterisheredescribed,maybetheheathofthattraditionaryKingofWessex——Lear。
  July,1895。
  "TosorrowIbadegoodmorrow,Andthoughttoleaveherfarawaybehind;
  Butcheerly,cheerly,Shelovesmedearly;
  Sheissoconstanttome,andsokind。
  Iwoulddeceiveher,Andsoleaveher,Butah!sheissoconstantandsokind。"
  bookoneTHETHREEWOMEN
  1—AFaceonWhichTimeMakesbutLittleImpressionASaturdayafternooninNovemberwasapproachingthetimeoftwilight,andthevasttractofunenclosedwildknownasEgdonHeathembrowneditselfmomentbymoment。
  Overheadthehollowstretchofwhitishcloudshuttingouttheskywasasatentwhichhadthewholeheathforitsfloor。
  Theheavenbeingspreadwiththispallidscreenandtheearthwiththedarkestvegetation,theirmeeting—lineatthehorizonwasclearlymarked。Insuchcontrasttheheathworetheappearanceofaninstalmentofnightwhichhadtakenupitsplacebeforeitsastronomicalhourwascome:darknesshadtoagreatextentarrivedhereon,whiledaystooddistinctinthesky。Lookingupwards,afurze—cutterwouldhavebeeninclinedtocontinuework;
  lookingdown,hewouldhavedecidedtofinishhisfaggotandgohome。Thedistantrimsoftheworldandofthefirmamentseemedtobeadivisionintimenolessthanadivisioninmatter。Thefaceoftheheathbyitsmerecomplexionaddedhalfanhourtoevening;
  itcouldinlikemannerretardthedawn,saddennoon,anticipatethefrowningofstormsscarcelygenerated,andintensifytheopacityofamoonlessmidnighttoacauseofshakinganddread。
  Infact,preciselyatthistransitionalpointofitsnightlyrollintodarknessthegreatandparticulargloryoftheEgdonwastebegan,andnobodycouldbesaidtounderstandtheheathwhohadnotbeenthereatsuchatime。
  Itcouldbestbefeltwhenitcouldnotclearlybeseen,itscompleteeffectandexplanationlyinginthisandthesucceedinghoursbeforethenextdawn;then,andonlythen,didittellitstruetale。Thespotwas,indeed,anearrelationofnight,andwhennightshoweditselfanapparenttendencytogravitatetogethercouldbeperceivedinitsshadesandthescene。Thesombrestretchofroundsandhollowsseemedtoriseandmeettheeveninggloominpuresympathy,theheathexhalingdarknessasrapidlyastheheavensprecipitatedit。Andsotheobscurityintheairandtheobscurityinthelandclosedtogetherinablackfraternizationtowardswhicheachadvancedhalfway。
  Theplacebecamefullofawatchfulintentnessnow;
  forwhenotherthingssankbloodingtosleeptheheathappearedslowlytoawakeandlisten。EverynightitsTitanicformseemedtoawaitsomething;butithadwaitedthus,unmoved,duringsomanycenturies,throughthecrisesofsomanythings,thatitcouldonlybeimaginedtoawaitonelastcrisis——thefinaloverthrow。
  Itwasaspotwhichreturneduponthememoryofthosewholoveditwithanaspectofpeculiarandkindlycongruity。
  Smilingchampaignsofflowersandfruithardlydothis,fortheyarepermanentlyharmoniousonlywithanexistenceofbetterreputationastoitsissuesthanthepresent。
  TwilightcombinedwiththesceneryofEgdonHeathtoevolveathingmajesticwithoutseverity,impressivewithoutshowiness,emphaticinitsadmonitions,grandinitssimplicity。Thequalificationswhichfrequentlyinvestthefacadeofaprisonwithfarmoredignitythanisfoundinthefacadeofapalacedoubleitssizelenttothisheathasublimityinwhichspotsrenownedforbeautyoftheacceptedkindareutterlywanting。
  Fairprospectswedhappilywithfairtimes;butalas,iftimesbenotfair!Menhaveoftenersufferedfrom,themockeryofaplacetoosmilingfortheirreasonthanfromtheoppressionofsurroundingsoversadlytinged。
  HaggardEgdonappealedtoasubtlerandscarcerinstinct,toamorerecentlylearntemotion,thanthatwhichrespondstothesortofbeautycalledcharmingandfair。
  Indeed,itisaquestioniftheexclusivereignofthisorthodoxbeautyisnotapproachingitslastquarter。
  ThenewValeofTempemaybeagauntwasteinThule;
  humansoulsmayfindthemselvesincloserandcloserharmonywithexternalthingswearingasombrenessdistastefultoourracewhenitwasyoung。Thetimeseemsnear,ifithasnotactuallyarrived,whenthechastenedsublimityofamoor,asea,oramountainwillbeallofnaturethatisabsolutelyinkeepingwiththemoodsofthemorethinkingamongmankind。Andultimately,tothecommonesttourist,spotslikeIcelandmaybecomewhatthevineyardsandmyrtlegardensofSouthEuropearetohimnow;andHeidelbergandBadenbepassedunheededashehastensfromtheAlpstothesanddunesofScheveningen。
  ThemostthoroughgoingasceticcouldfeelthathehadanaturalrighttowanderonEgdon——hewaskeepingwithinthelineoflegitimateindulgencewhenhelaidhimselfopentoinfluencessuchasthese。Coloursandbeautiessofarsubduedwere,atleast,thebirthrightofall。
  Onlyinsummerdaysofhighestfeatherdiditsmoodtouchthelevelofgaiety。Intensitywasmoreusuallyreachedbywayofthesolemnthanbywayofthebrilliant,andsuchasortofintensitywasoftenarrivedatduringwinterdarkness,tempests,andmists。ThenEgdonwasarousedtoreciprocity;forthestormwasitslover,andthewinditsfriend。Thenitbecamethehomeofstrangephantoms;
  anditwasfoundtobethehithertounrecognizedoriginalofthosewildregionsofobscuritywhicharevaguelyfelttobecompassingusaboutinmidnightdreamsofflightanddisaster,andareneverthoughtofafterthedreamtillrevivedbysceneslikethis。
  Itwasatpresentaplaceperfectlyaccordantwithman’snature——neitherghastly,hateful,norugly;
  neithercommonplace,unmeaning,nortame;but,likeman,slightedandenduring;andwithalsingularlycolossalandmysteriousinitsswarthymonotony。Aswithsomepersonswhohavelonglivedapart,solitudeseemedtolookoutofitscountenance。Ithadalonelyface,suggestingtragicalpossibilities。
  Thisobscure,obsolete,supersededcountryfiguresinDomesday。
  Itsconditionisrecordedthereinasthatofheathy,furzy,briarywilderness——"Bruaria。"Thenfollowsthelengthandbreadthinleagues;and,thoughsomeuncertaintyexistsastotheexactextentofthisancientlinealmeasure,itappearsfromthefiguresthattheareaofEgdondowntothepresentdayhasbutlittlediminished。
  "TurbariaBruaria"——therightofcuttingheath—turf——occursinchartersrelatingtothedistrict。"Overgrownwithhethandmosse,"saysLelandofthesamedarksweepofcountry。
  Hereatleastwereintelligiblefactsregardinglandscape——far—reachingproofsproductiveofgenuinesatisfaction。Theuntameable,IshmaelitishthingthatEgdonnowwasitalwayshadbeen。Civilizationwasitsenemy;
  andeversincethebeginningofvegetationitssoilhadwornthesameantiquebrowndress,thenaturalandinvariablegarmentoftheparticularformation。
  Initsvenerableonecoatlayacertainveinofsatireonhumanvanityinclothes。Apersononaheathinraimentofmoderncutandcolourshasmoreorlessananomalouslook。Weseemtowanttheoldestandsimplesthumanclothingwheretheclothingoftheearthissoprimitive。
  ToreclineonastumpofthorninthecentralvalleyofEgdon,betweenafternoonandnight,asnow,wheretheeyecouldreachnothingoftheworldoutsidethesummitsandshouldersofheathlandwhichfilledthewholecircumferenceofitsglance,andtoknowthateverythingaroundandunderneathhadbeenfromprehistorictimesasunalteredasthestarsoverhead,gaveballasttothemindadriftonchange,andharassedbytheirrepressibleNew。
  Thegreatinviolateplacehadanancientpermanencewhichtheseacannotclaim。Whocansayofaparticularseathatitisold?Distilledbythesun,kneadedbythemoon,itisrenewedinayear,inaday,orinanhour。
  Theseachanged,thefieldschanged,therivers,thevillages,andthepeoplechanged,yetEgdonremained。
  Thosesurfaceswereneithersosteepastobedestructiblebyweather,norsoflatastobethevictimsoffloodsanddeposits。Withtheexceptionofanagedhighway,andastillmoreagedbarrowpresentlytobereferredto——themselvesalmostcrystallizedtonaturalproductsbylongcontinuance——eventhetriflingirregularitieswerenotcausedbypickaxe,plough,orspade,butremainedastheveryfinger—touchesofthelastgeologicalchange。
  Theabove—mentionedhighwaytraversedthelowerlevelsoftheheath,fromonehorizontoanother。Inmanyportionsofitscourseitoverlaidanoldvicinalway,whichbranchedfromthegreatWesternroadoftheRomans,theViaIceniana,orIkenildStreet,hardby。
  Ontheeveningunderconsiderationitwouldhavebeennoticedthat,thoughthegloomhadincreasedsufficientlytoconfusetheminorfeaturesoftheheath,thewhitesurfaceoftheroadremainedalmostasclearasever。
  2—HumanityAppearsupontheScene,HandinHandwithTroubleAlongtheroadwalkedanoldman。Hewaswhite—headedasamountain,bowedintheshoulders,andfadedingeneralaspect。Heworeaglazedhat,anancientboat—cloak,andshoes;hisbrassbuttonsbearingananchorupontheirface。Inhishandwasasilver—headedwalkingstick,whichheusedasaveritablethirdleg,perseveringlydottingthegroundwithitspointateveryfewinches’interval。Onewouldhavesaidthathehadbeen,inhisday,anavalofficerofsomesortorother。
  Beforehimstretchedthelong,laboriousroad,dry,empty,andwhite。Itwasquiteopentotheheathoneachside,andbisectedthatvastdarksurfaceliketheparting—lineonaheadofblackhair,diminishingandbendingawayonthefurthesthorizon。
  Theoldmanfrequentlystretchedhiseyesaheadtogazeoverthetractthathehadyettotraverse。Atlengthhediscerned,alongdistanceinfrontofhim,amovingspot,whichappearedtobeavehicle,anditprovedtobegoingthesamewayasthatinwhichhehimselfwasjourneying。
  Itwasthesingleatomoflifethatthescenecontained,anditonlyservedtorenderthegenerallonelinessmoreevident。Itsrateofadvancewasslow,andtheoldmangaineduponitsensibly。
  Whenhedrewnearerheperceivedittobeaspringvan,ordinaryinshape,butsingularincolour,thisbeingaluridred。Thedriverwalkedbesideit;and,likehisvan,hewascompletelyred。Onedyeofthattincturecoveredhisclothes,thecapuponhishead,hisboots,hisface,andhishands。Hewasnottemporarilyoverlaidwiththecolour;itpermeatedhim。
  Theoldmanknewthemeaningofthis。Thetravellerwiththecartwasareddleman——apersonwhosevocationitwastosupplyfarmerswithreddingfortheirsheep。
  HewasoneofaclassrapidlybecomingextinctinWessex,fillingatpresentintheruralworldtheplacewhich,duringthelastcentury,thedodooccupiedintheworldofanimals。Heisacurious,interesting,andnearlyperishedlinkbetweenobsoleteformsoflifeandthosewhichgenerallyprevail。
  Thedecayedofficer,bydegrees,cameupalongsidehisfellow—wayfarer,andwishedhimgoodevening。Thereddlemanturnedhishead,andrepliedinsadandoccupiedtones。
  Hewasyoung,andhisface,ifnotexactlyhandsome,approachedsoneartohandsomethatnobodywouldhavecontradictedanassertionthatitreallywassoinitsnaturalcolour。Hiseye,whichglaredsostrangelythroughhisstain,wasinitselfattractive——keenasthatofabirdofprey,andblueasautumnmist。
  Hehadneitherwhiskernormoustache,whichallowedthesoftcurvesofthelowerpartofhisfacetobeapparent。
  Hislipswerethin,andthough,asitseemed,compressedbythought,therewasapleasanttwitchattheircornersnowandthen。Hewasclothedthroughoutinatight—fittingsuitofcorduroy,excellentinquality,notmuchworn,andwell—chosenforitspurpose,butdeprivedofitsoriginalcolourbyhistrade。Itshowedtoadvantagethegoodshapeofhisfigure。Acertainwell—to—doairaboutthemansuggestedthathewasnotpoorforhisdegree。
  Thenaturalqueryofanobserverwouldhavebeen,Whyshouldsuchapromisingbeingasthishavehiddenhisprepossessingexteriorbyadoptingthatsingularoccupation?
  Afterreplyingtotheoldman’sgreetingheshowednoinclinationtocontinueintalk,althoughtheystillwalkedsidebyside,fortheeldertravellerseemedtodesirecompany。Therewerenosoundsbutthatoftheboomingwinduponthestretchoftawnyherbagearoundthem,thecracklingwheels,thetreadofthemen,andthefootstepsofthetwoshaggyponieswhichdrewthevan。
  Theyweresmall,hardyanimals,ofabreedbetweenGallowayandExmoor,andwereknownas"heath—croppers"here。
  Now,astheythuspursuedtheirway,thereddlemanoccasionallylefthiscompanion’sside,and,steppingbehindthevan,lookedintoitsinteriorthroughasmallwindow。Thelookwasalwaysanxious。Hewouldthenreturntotheoldman,whomadeanotherremarkaboutthestateofthecountryandsoon,towhichthereddlemanagainabstractedlyreplied,andthenagaintheywouldlapseintosilence。
  Thesilenceconveyedtoneitheranysenseofawkwardness;
  intheselonelyplaceswayfarers,afterafirstgreeting,frequentlyplodonformileswithoutspeech;contiguityamountstoatacitconversationwhere,otherwisethanincities,suchcontiguitycanbeputanendtoonthemerestinclination,andwherenottoputanendtoitisintercourseinitself。
  Possiblythesetwomightnothavespokenagaintilltheirparting,haditnotbeenforthereddleman’svisitstohisvan。
  Whenhereturnedfromhisfifthtimeoflookingintheoldmansaid,"Youhavesomethinginsidetherebesidesyourload?"
  "Yes。"
  "Somebodywhowantslookingafter?"
  "Yes。"
  Notlongafterthisafaintcrysoundedfromtheinterior。
  Thereddlemanhastenedtotheback,lookedin,andcameawayagain。
  "Youhaveachildthere,myman?"
  "No,sir,Ihaveawoman。"
  "Thedeuceyouhave!Whydidshecryout?"
  "Oh,shehasfallenasleep,andnotbeingusedtotraveling,she’suneasy,andkeepsdreaming。"
  "Ayoungwoman?"
  "Yes,ayoungwoman。"
  "Thatwouldhaveinterestedmefortyyearsago。
  Perhapsshe’syourwife?"
  "Mywife!"saidtheotherbitterly。"She’sabovematingwithsuchasI。Butthere’snoreasonwhyIshouldtellyouaboutthat。"
  "That’strue。Andthere’snoreasonwhyyoushouldnot。
  WhatharmcanIdotoyouortoher?"
  Thereddlemanlookedintheoldman’sface。"Well,sir,"
  hesaidatlast,"Iknewherbeforetoday,thoughperhapsitwouldhavebeenbetterifIhadnot。Butshe’snothingtome,andIamnothingtoher;andshewouldn’thavebeeninmyvanifanybettercarriagehadbeentheretotakeher。"
  "Where,mayIask?"
  "AtAnglebury。"
  "Iknowthetownwell。Whatwasshedoingthere?"
  "Oh,notmuch——togossipabout。However,she’stiredtodeathnow,andnotatallwell,andthat’swhatmakeshersorestless。
  Shedroppedoffintoanapaboutanhourago,and’twilldohergood。"
  "Anice—lookinggirl,nodoubt?"
  "Youwouldsayso。"
  Theothertravellerturnedhiseyeswithinteresttowardsthevanwindow,and,withoutwithdrawingthem,said,"IpresumeImightlookinuponher?"
  "No,"saidthereddlemanabruptly。"Itisgettingtoodarkforyoutoseemuchofher;and,morethanthat,Ihavenorighttoallowyou。ThankGodshesleepssowell,Ihopeshewon’twaketillshe’shome。"
  "Whoisshe?Oneoftheneighbourhood?"
  "’Tisnomatterwho,excuseme。"
  "ItisnotthatgirlofBlooms—End,whohasbeentalkedaboutmoreorlesslately?Ifso,Iknowher;andIcanguesswhathashappened。"
  "’Tisnomatter……Now,sir,Iamsorrytosaythatweshallsoonhavetopartcompany。Myponiesaretired,andIhavefurthertogo,andIamgoingtorestthemunderthisbankforanhour。"
  Theeldertravellernoddedhisheadindifferently,andthereddlemanturnedhishorsesandvaninupontheturf,saying,"Goodnight。"Theoldmanreplied,andproceededonhiswayasbefore。
  Thereddlemanwatchedhisformasitdiminishedtoaspeckontheroadandbecameabsorbedinthethickeningfilmsofnight。Hethentooksomehayfromatrusswhichwasslungupunderthevan,and,throwingaportionofitinfrontofthehorses,madeapadoftherest,whichhelaidonthegroundbesidehisvehicle。
  Uponthishesatdown,leaninghisbackagainstthewheel。
  Fromtheinterioralowsoftbreathingcametohisear。
  Itappearedtosatisfyhim,andhemusinglysurveyedthescene,asifconsideringthenextstepthatheshouldtake。
  Todothingsmusingly,andbysmalldegrees,seemed,indeed,tobeadutyintheEgdonvalleysatthistransitionalhour,fortherewasthatintheconditionoftheheathitselfwhichresembledprotractedandhaltingdubiousness。
  Itwasthequalityofthereposeappertainingtothescene。
  Thiswasnotthereposeofactualstagnation,buttheapparentreposeofincredibleslowness。Aconditionofhealthylifesonearlyresemblingthetorporofdeathisanoticeablethingofitssort;toexhibittheinertnessofthedesert,andatthesametimetobeexercisingpowersakintothoseofthemeadow,andevenoftheforest,awakenedinthosewhothoughtofittheattentivenessusuallyengenderedbyunderstatementandreserve。
  Thescenebeforethereddleman’seyeswasagradualseriesofascentsfromtheleveloftheroadbackwardintotheheartoftheheath。Itembracedhillocks,pits,ridges,acclivities,onebehindtheother,tillallwasfinishedbyahighhillcuttingagainstthestilllightsky。
  Thetraveller’seyehoveredaboutthesethingsforatime,andfinallysettledupononenoteworthyobjectupthere。
  Itwasabarrow。Thisbossyprojectionofearthaboveitsnaturalleveloccupiedtheloftiestgroundoftheloneliestheightthattheheathcontained。AlthoughfromthevaleitappearedbutasawartonanAtlanteanbrow,itsactualbulkwasgreat。Itformedthepoleandaxisofthisheatheryworld。
  Astherestingmanlookedatthebarrowhebecameawarethatitssummit,hithertothehighestobjectinthewholeprospectround,wassurmountedbysomethinghigher。Itrosefromthesemiglobularmoundlikeaspikefromahelmet。
  ThefirstinstinctofanimaginativestrangermighthavebeentosupposeitthepersonofoneoftheCeltswhobuiltthebarrow,sofarhadallofmoderndatewithdrawnfromthescene。Itseemedasortoflastmanamongthem,musingforamomentbeforedroppingintoeternalnightwiththerestofhisrace。
  Theretheformstood,motionlessasthehillbeneath。
  Abovetheplainrosethehill,abovethehillrosethebarrow,andabovethebarrowrosethefigure。
  Abovethefigurewasnothingthatcouldbemappedelsewherethanonacelestialglobe。
  Suchaperfect,delicate,andnecessaryfinishdidthefiguregivetothedarkpileofhillsthatitseemedtobetheonlyobviousjustificationoftheiroutline。
  Withoutit,therewasthedomewithoutthelantern;withitthearchitecturaldemandsofthemassweresatisfied。
  Thescenewasstrangelyhomogeneous,inthatthevale,theupland,thebarrow,andthefigureaboveitamountedonlytounity。Lookingatthisorthatmemberofthegroupwasnotobservingacompletething,butafractionofathing。
  Theformwassomuchlikeanorganicpartoftheentiremotionlessstructurethattoseeitmovewouldhaveimpressedthemindasastrangephenomenon。
  Immobilitybeingthechiefcharacteristicofthatwholewhichthepersonformedportionof,thediscontinuanceofimmobilityinanyquartersuggestedconfusion。
  Yetthatiswhathappened。Thefigureperceptiblygaveupitsfixity,shiftedasteportwo,andturnedround。
  Asifalarmed,itdescendedontherightsideofthebarrow,withtheglideofawater—dropdownabud,andthenvanished。
  Themovementhadbeensufficienttoshowmoreclearlythecharacteristicsofthefigure,andthatitwasawoman’s。
  Thereasonofhersuddendisplacementnowappeared。
  Withherdroppingoutofsightontherightside,anewcomer,bearingaburden,protrudedintotheskyontheleftside,ascendedthetumulus,anddepositedtheburdenonthetop。
  Asecondfollowed,thenathird,afourth,afifth,andultimatelythewholebarrowwaspeopledwithburdenedfigures。
  Theonlyintelligiblemeaninginthissky—backedpantomimeofsilhouetteswasthatthewomanhadnorelationtotheformswhohadtakenherplace,wassedulouslyavoidingthese,andhadcomethitherforanotherobjectthantheirs。
  Theimaginationoftheobserverclungbypreferencetothatvanished,solitaryfigure,astosomethingmoreinteresting,moreimportant,morelikelytohaveahistoryworthknowingthanthesenewcomers,andunconsciouslyregardedthemasintruders。Buttheyremained,andestablishedthemselves;andthelonelypersonwhohithertohadbeenqueenofthesolitudedidnotatpresentseemlikelytoreturn。
  3—TheCustomoftheCountryHadalooker—onbeenpostedintheimmediatevicinityofthebarrow,hewouldhavelearnedthatthesepersonswereboysandmenoftheneighbouringhamlets。
  Each,asheascendedthebarrow,hadbeenheavilyladenwithfurzefaggots,carriedupontheshoulderbymeansofalongstakesharpenedateachendforimpalingthemeasily——twoinfrontandtwobehind。Theycamefromapartoftheheathaquarterofamiletotherear,wherefurzealmostexclusivelyprevailedasaproduct。
  Everyindividualwassoinvolvedinfurzebyhismethodofcarryingthefaggotsthatheappearedlikeabushonlegstillhehadthrownthemdown。Thepartyhadmarchedintrail,likeatravellingflockofsheep;thatistosay,thestrongestfirst,theweakandyoungbehind。
  Theloadswerealllaidtogether,andapyramidoffurzethirtyfeetincircumferencenowoccupiedthecrownofthetumulus,whichwasknownasRainbarrowformanymilesround。Somemadethemselvesbusywithmatches,andinselectingthedriesttuftsoffurze,othersinlooseningthebramblebondswhichheldthefaggotstogether。
  Others,again,whilethiswasinprogress,liftedtheireyesandsweptthevastexpanseofcountrycommandedbytheirposition,nowlyingnearlyobliteratedbyshade。